This extra padding of resolution allows the handheld camera presets to move the footage WITHOUT resizing the source footage. This was the workflow for both GONE GIRL and DEADPOOL where 6K / 5K / 4K / 3K footage was edited inside a 2K sequence. The other 4 presets are for sequences where oversized footage is dropped into a smaller resolution timeline. These 3 presets will resize the footage to 104% so the edges of the frame will not show black as the footage is being moved around. 3 presets can be used on footage with resolution that matches the sequence settings. The 7 presets are split into 2 groups with different functions.
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